Time
6.00 pm – 8.15 pm GMT (waiting room opens at 5.45 pm for tuning)
Location
Zoom
Price
£35 per class
Refunds & Cancellations
Please read our cancellation policy before booking.
Online Timeline Series
Online Timeline Series
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ONLINE SERIES
We all want to be as rounded a musician as possible and that’s a pretty big ask. We all have our preferences, and the groups & orchestras we play in, take us down certain paths which enrich and educate us, but sometimes we find a hole in our knowledge!
The Online Timeline Series has really found a place in your lives. Join us to learn more about a remarkable piece of music, its composer, an era, its style that may otherwise have passed you by. Musical architecture, polyphony, phrasing, the place of music in society are all a part of this quest for a better understanding and roundedness.
We will play, discuss and explore from your – the player’s point of view - a particular piece of music from the wide library of Unsung Heroes Cello Ensemble scores. These now range from Josquin and John Taverner (1490–1545), through to Tchaikovsky & Elgar and far into the twentieth century.
Though there are some restrictions online, we can all play using the mute button, though not as a group. This is an exciting opportunity for players to have the chance to play as many parts as they wish as we play together.
You may want to bring a notebook too and I do send out further notes to help you continue the development after the class. I see this as a massive opportunity for us to do detailed work that really moves you on because we have these apparent restrictions.
Just a thought: you may think a particular composer, (say Josquin for instance) isn’t for you. Don’t rule things out too easily as all these people, whose music I want to share with you, have so much light to shine for us. As cellists, there is so much music we miss because we have so much already written for us. This is an opportunity that I personally have loved developing.
Your score is sent to you on booking your place and there are 15 places per class so we keep the lesson small, detailed and personal.
Do look at all the parts if you can, so you get under the skin of the music.